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July - august 2010
> Sound within touch,
Caroline Jules
On the surface, nothing could appear easier than making the Music Museum accessible to people with impaired vision or who are blind. However, which solutions can be provided for this public for free visits beyond listening to music and touching instruments in the presence of a museum guide ? By examining a concrete case, the author examines how designers wish to put forward a tactile visit approach to those who would like to venture into this field.
> Evaluate or justify museums ?
François Mairesse
From a resume of museum evaluation – a process defined in the 1930s in the States then worked on more precisely and systematised in the 1960s – the author paints a picture of the different methods used, remarking that ‘evaluation’ is considered more as a way to justify the activity rather than a tool aiming at trying to understand the meaning and the value of the museum action.
> The preservation and valorisation of Tournefort’s Herbarium at the National Natural History Museum,
Denis Lamy et Aline Pelletier
Put together at the end of the 17th Century, the Herbarium of the botanist presented here is useful today – with the project of renovating the ‘botanical’ building in mind – as it constitutes a concrete model for the study led by the National Natural History Museum on the preservation and valorisation of the historical collections of national Herbarium, and more generally for the current study of the place that botany has within the establishment.
> Creation of a new evaluation protocol for exhibitions,
Lucille Bourroux et Mathilde Schneider
Experimented at the McCord Museum in Montréal during the summer of 2009, this new protocol – using specific tools such as filmed interviews – aims at determining the museographic means that enabled visitors to grasp the message conveyed by the exhibition.
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Publié le 21 juillet 2010
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